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Motion pictures and television --- Television

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Dieses Essential bietet einen Überblick zu unterschiedlichen Interpretationen der Verbindung zwischen Politik und Film. Filme und Fernsehserien werden dabei als wichtige Darstellungsformen von Politik begriffen. In zahlreichen Formaten wird dies in den letzten Jahren deutlich. Interessant wird es jedoch, wenn Filme und Serien nicht den Anspruch erheben politisch zu sein, dies jedoch implizit sind. Denn Filme spielen zum einen immer mit Vorannahmen des Publikums, produzieren andererseits aber auch spezifische politische Annahmen und Weltanschauungen bei ihrem Publikum. So sind beispielsweise Ängste oder gesellschaftlich verbreitete Feindbilder für die Wirkung von Filmen bedeutungsvoll. James Bond bekommt heute keine Liebesgrüße mehr aus Moskau, dafür rücken Cyberangriffe und die zunehmende Macht Chinas in den Mittelpunkt der Filmreihe. Der Inhalt Die Bedeutung des Films für die Betrachtung von Politik Filme als Spiegel der Gesellschaft Filme und politische Ängste Filme in der politischen Bildungsarbeit Die Zielgruppen Studierende und Lehrende der Politikwissenschaften und der Soziologie Praktiker aus Politik und Medien Der Autor Dr. Ulrich Hamenstädt ist wissenschaftlicher Mitarbeiter am Institut für Politikwissenschaft der Westfälischen Wilhelms-Universität Münster.

Communication. --- Motion pictures and television. --- Communication Studies. --- Screen Studies.

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This book argues that cinema and television in Spain only make sense when considered together as twin vehicles for screen fiction. The Spanish audiovisual sector is now one of the most successful in the world, with feature films achieving wider distribution in foreign markets than nations with better-known cinematic traditions and newly innovative TV formats, already dominant at home, now widely exported. Beyond the industrial context, which has seen close convergence of the two media, this book also examines the textual evidence for crossover between cinema and television at the level of narrative and form.

Fiction films --- Fiction television programs --- Motion pictures and television

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Film --- History --- film --- geschiedenis --- Motion pictures and television. --- Renoir, Jean, --- Criticism and interpretation.

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Jean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as Le Crime de Monsieur Lange, La Grande Illusion, La Bête humaine and La Règle du jeu. However, the great director's early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoir's films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potential of film art.

Film --- History --- film --- geschiedenis --- Motion pictures and television. --- Renoir, Jean, --- Criticism and interpretation.